AN AUSTRALIAN BEAUTY
Por Miguel Machado • 18 Jan , 2011 • Categoria: 03. REPORTAGEM, 14.TURISMO MILITAR PrintOs museus sobre temática militar, nacionais e estrangeiros, têm sempre um lugar no “Operacional”. São locais onde quem gosta de história e em especial de história militar tem a oportunidade de encontrar, disponível e concentrada, informação e objectos de que fora destes espaços são de impossível acesso.
É uma vertente da actividade turística que está em expansão em todo o mundo e também por cá vai dando alguns tímidos passos. Hoje apresentamos, graças à colaboração de Francisco Leandro já bem conhecido dos nossos leitores, um museu estrangeiro e do “outro lado do mundo”: o Australian National Maritime Museum em Sydney. Parte reduzida, note-se, como fica expresso pela leitura deste artigo que nos transporta para outro continente e a partir do qual, Francisco Leandro, lembra um assunto que também por cá merece atenção: a salvaguarda para fins museológicos de unidades navais portuguesas que estão a ser abatidas ao serviço activo.
An Australian Beauty
Firstly and foremost, Australia is much more than a country. In fact, it is a continent full of diversity and happy people. To write about Australia is not easy, once the dimension and multiplicity prevent any attempt to summarise it in a short essay. Nevertheless, the Australian National Maritime Museum in Sydney is a remarkable example of a place where past and future are linked together. Inside the visitor discovers drama on high seas, naval and mutiny, tragic treasures, migration across oceans and pursuit of human endurance, which leads the guest to find out the best of the Australian people.
Secondly, the two storey museum is located on the Darling Bay banks, overlooking the Pyrmont Bridge and the Sydney Aquarium and holds an impressive outdoor yard, where a genuine flavour of Australian navy is docked. The Museum offers 10 major themes to visit and to learn about the history of a nation built from an massive overseas immigration.
The upper level is composed of six main exhibitions namely called: defining Australia (17th and 19th centuries), Eora first people (Aboriginal Culture), passengers the long sea voyage (migrants and refugees moving towards Australia), commerce and the working at sea (whaling and fishing), Tasman light (lighthouses) and a non permanent showing room, which at the present moment shows the planet shark.
The lower level displays three main exhibitions namely called: watermarks (the Australian love affairs with water), navy (history of the Australian navy since 1911), and USA Gallery (a gift from USA to Australia in 1988, to celebrate the 200 years of sharing maritime heritage).
Thirdly, a special reference should be made to the outdoors exhibition where the lighthouse, the historic fleet, the tall ship of James Craig (1874), the magnificent replica of Captain Cook’s HMB Endeavour (1768-1771), the submarine HMAS Onslow (that served in the Royal Australian Navy from 1969 to 1999), and the destroyer HMAS Vampire (that served in the Royal Australian Navy from 1959 to 1986) are harboured. The visitors are guided during the visit by former sailors whom were called as volunteers.
Two final references should also be made. The first is the room dedicated to East Timor (lower level) where one FALINTIL flag is shown in order to draw the visitors’ attention to the Australian role during the international intervention in the island. In this regard, I have to confess my little disappointment in terms of the historic truth on the initial political position of the Australian government. The second reference relates the arrival of the new submarines for the Portuguese navy service. In fact, the use of the submarine HMAS Onslow and the destroyer HMAS Vampire are good examples to be followed with the assets not in service in the Portuguese Navy fleet. It is not merely a good economic use, but mainly it serves the interests of promoting our navy and our international role as a country also in love with sea.
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